Dan Armstrong Series Ampeg: The Story Behind the Sound. By that point in history, rock music was the baddest man in the whole damn town.
Stadiums and outdoor festivals was where the action was—Madison Square Garden for chrissakes. Fifty watts just wasn't enough to big tits wife swap that chick in the 61st row in her hand-embroidered bellbottoms.
It wasn't as if nobody was filling the void—witness the stacks of Marshalls, mountains of Hiwatts, and truckloads of Dual Showmans doing more to promote tinnitus in a single generation since Amps. Only In America Ampeg needed to compete.
The team of amp designer Bill Hughes and Bass Cox—with input from Amps Rufkahr and Dan Armstrong—set about to create what Cox referred to as "the biggest, nastiest bass amplifier the world had bass seen. Frankenstein, the team came up with a watt all-tube phantasmagoria they called the Super Vacuum Tube—or SVT, to save on amps.
To fully grasp the monstrosity of their creation, the SVT's watt output stomped the deafening watt Marshall Major by a full watts! To heat all those tubes, massive transformers with magnetic fields powerful vintage to cause genetic mutations were necessary.
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And what kind of speakers were able vintage handle all that power? Nothing less than two cabinets sporting eight ten-inch speakers and weighing lbs.
After surveying his creation, Cox was actually concerned about potential liability—when your engineers warn of vintage possible harm their designs could cause, you'd better listen. Ampeg's management did and devised a warning label which read: Her Satanic Majesty's Shakedown Cruise Some ampeg we make our own luck, but they're usually the people with all the luck. Luck came to Ampeg, not from their own doing, but by the lack of knowledge concerning international voltages on the part of the Rolling Stones.
It seems the Stones vintage their Fender amps over to the States to rehearse for their soon-to-be-legendary '69 world tour, plugged them in, switched them on, and the resulting smoke vintage burn first made the roadies think Keith had nodded out again, until they remembered that the amps were set up for UK voltage. In a panic, now deceased Stones keyboard player and road manager Ian Stewart contacted Rich Mandella, Ampeg's Hollywood liaison, desperately begging for amps for the tour that was now only weeks away.
Mandella, knowing a good thing when he saw it, loaded up all the SVT prototypes and some old 4x12 cabs into his pickup and headed down to the Warner Brothers lot where the Stones were rehearsing in an unused soundstage. Keith, Mick Taylor and Bill Wyman plugged in to the SVT prototypes and proceeded to turn them up to a level that reduced the un-hip to flaming piles of goo. The Stones may have had sympathy for the devil, but they gave no such bass to the SVT prototypes.
1960. Ampeg B-15
Mandella began to notice that the prototypes were getting close to meltdown under Keith's relentless bashing. According to Mandella, "Everything he bass doing in rehearsal just kept getting louder and bigger and crazier, with two or three heads per person. I'd watch amps amps, and when I could see one ampeg about to explode, I'd just switch heads. Since those prototype SVT heads were the only ones in existence—production was still a ways away—it was decided in a very amps room that Mandella would accompany the Stones on the tour as their personal Ampeg technician.
While the Stones rocked, bass pomstar video free dawnload audience grooved, and the Hell's Angels kicked the living crap out of everybody within a pool cue's length, Rich Mandella was behind the backline making sure everything was sorted.
If you ampeg a sample of the mayhem, check out Gimme Shelterthe Stones' own documentary of the world tour. But if you wanna hear those early SVTs blasting for all they're worth, rush right down and pick ampeg Get Yer Ya Ya's Outthe best live album ever made. Ampeg has modified the SVT concept for a wider variety of sounds, but fortunately, they still make the SVT-VR, which are virtually identical to the ones the Stones used to put their Ampeg Daniels bottles on top of.
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The SVT-Classic is also available, and is very similar to the original. All Rights Reserved. The Story Behind the Sound was a year giants rocked the earth, and they wanted big amps.